Godzilla: King of Monsters stomped into theaters this weekend with $179 million in global receipts. Its US take of $49 million, while good enough for first place, wasn’t exactly earth-shattering.
Godzilla: King of Monsters stomped into theaters this weekend with $179 million in global receipts. Its US take of $49 million, while good enough for first place, wasn’t exactly earth-shattering.
Greg has decades of experience working on major studio productions with credits that include Avengers: Infinity War, Zombieland 2, Grimm TV series, Gremlins 2, Fight Club, Sleep Hollow, American Horror Story and others.
Disney’s Aladdin got all of its wishes and soared off to a $114.3 million start over Memorial Day weekend in the US. With that figure, it earned the fifth highest opening ever for the beginning of the summer holiday.
The SCAD Savannah Film Festival is seeking diverse short films — about the South, set in the South, or directed by Southern filmmakers — exploring a variety of themes and perspectives that best represent the voices from the South
“Given the legislation has not yet been implemented, we’ll continue to film there, while also supporting partners and artists who choose not to. Should it ever come into effect, we’d rethink our entire investment in Georgia.”
We’ve learned that actress Mikaela Hoover (Guardians of the Galaxy) and Emma Roberts (We’re the Millers) have just been cast to star in Netflix’s upcoming romantic comedy “Holidate,” produced by McG’s Wonderland Productions, and have just touched down in Atlanta to shoot for the next few weeks.
Most recently, Ideas United expanded its infrastructure to develop original content, including five television pilots based on the top concepts submitted from nearly 1,000 of its top emerging creators worldwide.
The Atlanta Jewish Film Festival (AJFF) continues its AJFF Selects screening series with Tel Aviv on Fire, a big-hearted satire where a soap opera writer finds himself caught in the crossfire of the Israeli-Palestinian conflict.
Resurrecting momentous events in her personal history—including the physical spaces where they occurred—deftly-introspective British moviemaker Joanna Hogg created The Souvenir, a semi-autobiographical drama which centers around a film student drowning in a detrimental love affair.
An entire month’s passed since the 43rd annual Atlanta Film Festival (ATLFF) brought together nearly 30,000 passionate filmmakers and cinephiles for 11 days of cultural discovery, artistic growth and opportunity.