As an Augusta-born creative, he shares a unique perspective on why the city is great for filmmaking.
As an Augusta-born creative, he shares a unique perspective on why the city is great for filmmaking.
These events connect entertainment professionals, artists and local businesses in Dunwoody, the Atlanta Perimeter, Georgia and beyond.
“If it is your dream, and it is your hope, if it is that thing you wake up and go to bed with and you can’t shake it; that is something that is bigger than you. Do not stop,” Tyler Perry stated. “I wish for every dreamer in here, I wish you persist until you get to the other side and see how sweet it is.”
During the meeting on Feb. 12, Smith mentioned Ushers’s Super Bowl Halftime Show. Usher made it a point to shine light on Atlanta and its culture throughout the performance.
Georgia Entertainment announced today that Ty Walker, Senior Vice President and Head of Physical Production for Kevin Hart’s Hartbeat, will…
Georgia was in the spotlight this weekend as Usher represented the state and Atlanta at the Super Bowl. More on the Super Bowl later including the Jonesboro High School Majestic Marching Cardinals involvement. We were equally excited to follow two independent film success stories in Georgia. ‘Possum Trot’ and ‘Popular Theory’ also had big weekends.
Georgia truly has the potential to inspire our world, while harnessing the power of the Creative Economy for good, and we must embrace that.
Based on the true story of a small church in East Texas, POSSUM TROT is executive produced by Letitia Wright (BLACK PANTHER, Founder of 3.16 Productions), Nika King and Joe Knittig, directed by Joshua Weigel (THE BUTTERFLY CIRCUS), written by Joshua and Rebekah Weigel (THE BUTTERFLY CIRCUS), and produced by Joshua and Rebekah Weigel (Peacetree Productions).
Georgia Film Academy Alum Camilo Diaz sat down with Georgia Entertainment to share his experience as part of the creative community in the state.
In the Creative Economy a key metric of success is the rise to “Stardom”, or an individual becoming a “Star”. Essentially this is a stratification of celebrity, and the calculus of Stardom is not straight forward, being dependent on the intent of the various players helping an individual achieve this status: agents and producers want sales, investors want returns, public relations consultants want identification, the stars want recognition and additional contracts.