‘Wicked: For Good’ Opening To $150M; Records Broken for Cynthia Erivo, Ariana Grande, and Jon M. Chu
‘Wicked: For Good’ Opening To $150M; Records Broken for Cynthia Erivo, Ariana Grande, and Jon M. Chu
The move broadens Reel Supplies’ product lineup beyond its core inventory of raw lumber, sheet goods and specialty set-construction materials. With the addition of Cross Country’s finishing products, Reel Supplies can now offer both structural and aesthetic materials under one roof, creating a more streamlined production experience for film clients.
Lauren Moseley moved to Atlanta 11 years ago from Tallahassee, Florida. She traveled relatively lightly, bringing along a fresh communications degree from Florida State University and a bit of experience working in radio. The most important thing she brought, though, was something you couldn’t see at first glance: an open mind.
The Creative Economy Collective (CEC), a group of 65+ entrepreneurs, business and research leaders, academics and government officials working at the convergence of art and technology, met at Georgia Tech’s Advanced Technology Development Center (ATDC) on Friday, November 14 for their first in person meeting.
Georgia Entertainment announced today that Trilith Institute has been named its honorary nonprofit for the upcoming Signature Georgia Entertainment 100.
Since making his stage debut at the age of 11 in “South Pacific,” Bonale Fambrini hasn’t been able to find his way off the stage. The 23 year old can next be seen starring as Johnny Cade in the touring production of “The Outsiders” musical, which is coming to the Fox Theatre Nov. 25-29.
Thomas Laub, speaking from the Creator’s Toolkit event at Shadowbox Studios, made a powerful point about the state’s seasonal production flow. Rather than chasing spikes in demand or overleveraging expansion, Georgia continues to synchronize with the natural rhythms of the industry.
Netflix’s “Back in Action” film producer, Beau Bauman, discusses why Georgia is highly conducive to film & television productions.
There’s plenty of surprise out there for Lionsgate’s No. 1 win with threequel Now You See: Now You Don’t at $21M. Global take is $75.5M, with over $54M from offshore. China is contributing $19.2M. We always told you this movie would make magic abroad.
The Atlanta Opera and The Atlanta Opera Film Studio have drained the ocean between art and audience. And in the process, opened up an expanse of opportunity for modern opera to thrive in Georgia’s Creative Economy.