This marks the second collaboration between the organizations, building on their successful partnership for the 2025 issue. Strategically aligned with Atlanta’s role as a host city for the 2026 FIFA World Cup, the upcoming issue of the Creative Economy Journal will delve into the dynamic convergence of sports, entertainment and creativity.
The newly established award celebrates an individual whose work has strengthened the cultural fabric of the region, actively advocated for the arts, and demonstrated a lasting commitment to advancing Atlanta’s creative community.
Marvel’s “Ironheart” premiered June 24, 2025 on Disney+ and stars Dominique Thorne as Ironheart. Much of the series was filmed at Trilith Studios in Fayetteville, GA.
Building on the “Rituals We Share” series, these PSAs leverage the star power of local sports heroes to show fans how taking care of their minds sets them up to succeed in life.
Look for “American Deadbolt” in an art house theater near you, as it now goes on tour around Georgia as part of the new “Filmed in Georgia” initiative. The initiative is recognizing the work of independent films written, produced, staffed and funded in Georgia.
Following a sold-out red carpet premiere on May 24th that left audiences laughing, crying, and craving more, the heartfelt dramedy Going Postal is back for one last pilot episode screening.
Georgia Entertainment today announced presenting partners, panel guests and special speakers for “Take One – Georgia’s Film and Post-Production Industry: Accounting, Tax Credits and Auditing.” The Take One event series addresses emerging technologies, policies and trends shaping Georgia’s entertainment industry.
The Jimbo Productions team is proud to have filmed over half of the principal photography in Savannah, Georgia, in addition to one unit in Matison’s hometown of Morgan City, Louisiana, where this iconic story took place almost 100 years prior.
The deluge of AI posts, demos, commentary, and panic is omnipresent. Every feed I open, every conversation at an event, someone is making predictions or asking where all of this goes.
Kudos for Sony in their support and passion to re-energize a dormant cult British zombie franchise in Danny Boyle’s 28 Years Later and Disney/Pixar in their relentless attempts to try and breakthrough with expensive original fare, that being the $150M Elio.