Discover Dunwoody and Assembly Studios are serving filmmakers the destination-locations, spaces, and amenities they need for serious work and play. Here’s how in the words of Justin Campbell, vice president of studio operations at Assembly Atlanta.
Discover Dunwoody and Assembly Studios are serving filmmakers the destination-locations, spaces, and amenities they need for serious work and play. Here’s how in the words of Justin Campbell, vice president of studio operations at Assembly Atlanta.
Despite the buzz around the state’s entertainment industry, many high school students still don’t know what jobs are available in the burgeoning sector or what skills they need to land those jobs.
With over 25 years of experience in the film and television industry, Beth Talbert is a seasoned executive known for her expertise in studio operations, cost control, and team leadership.
Today the Sundance Film Festival announced its final award for the 2025 edition: Come See Me in the Good Light in the Premieres category received the Festival Favorite Award.
The 2025 Festival, taking place now through February 2, has featured premieres, screenings, talks, events, and more in Park City and Salt Lake City, Utah.
The Georgia Film Academy (GFA) has announced its 2025 summer camps, offering high school students ages 14 to 17 the opportunity to immerse themselves in the world of filmmaking.
Masýa Beyond Blackmon was pursuing a career in aviation when an unexpected introduction to the Georgia Film Academy changed his path.
From photography courses to an internship with WSB-TV, ABC’s Atlanta affiliate, Fusia began developing a foundation for her future career in the video production industry and channeled her passion any way she could.
You don’t know until you know. But now, practically everyone does. Jeff Keating, an Atlanta native, writer, producer, and founder/CEO of the city’s Doghouse Pictures, made certain.
Dog Man provided the first sign of life to the 2025 box office this weekend with an opening that now stands at $36M.
That’s the second biggest opening for a January animated title of all time after DreamWorks Animation’s 2016 Kung Fu Panda 3 ($41.8M) and it’s the third consecutive No. 1 debut for DWA after Kung Fu Panda 4 and The Wild Robot.