A North American tour for “Maybe Happy Ending” is planned for next year.
A North American tour for “Maybe Happy Ending” is planned for next year.
The audio industry has evolved as rapidly as any other sector, and the new and growing areas of the industry can be done almost anywhere and do not require the massive construction and capital investment that film requires.
Atlanta-based composer Mark Kueffner is a silver award winner at the 46th annual Telly Awards for his work on the original score for “Nobody Heals Alone,” a forthcoming documentary about post-traumatic stress disorder in veterans and first responders.
Batiste will address the largest class in university history, consisting of more than 3,800 graduates, and perform live for students, their families, and honored guests. These SCAD graduates represent more than 40 top-ranked programs, including animation, fashion, film and television, interior design, and user experience design.
Spivey Hall will celebrate its popular summer Global Music Festival with seven performances spanning five continents over three days from June 19 to June 21. Open to all ages, this festival is wonderful for families, individuals, and groups (recreation centers and day camps, senior assisted living groups).
BLG’s family of imprints, Broadway Licensing, Dramatists Play Service, Playscripts, and Stage Rights, will now become part of Concord Theatricals. The acquisition does not include Stageworks or the Broadway On Demand streaming service.
Centennial Yards Company announced today that it has executed a long-term lease with Live Nation, the world’s leading live entertainment company, to bring a new live music and entertainment venue to the heart of Downtown Atlanta.
Today, the JTF event is broadcast live globally – far exceeding the 8,000+ theatre students, their families, and teachers who come from all around the world to the Cobb Galleria each year. By springtime 2025, the wintertime 2026 festival had already sold out with some 10,000 attendees.
Returning for a second consecutive year, the Immersive Competition was introduced in 2024 to celebrate new forms of storytelling through spatial and sensory experiences. By freeing themselves from the screen and traditional cinematic language, immersive works invite viewers to enter into the narrative, and often interact with it.
The new immersive theater experience “Mirth and Mischief” combines virtual reality, aerial performances and interactive storytelling to create what producer Kelly Nelson calls “a feeling like you’re in ”Game of Thrones’ meets ‘The Labyrinth.'”