2020 has been a crazy year for everyone, including the GGDA. From our COVID guidelines to our Unreal Engine grant to our new insurance opportunity to members, we have been adding more ways to help everyone in the Association.
Only 12% of projects were audited in 2016, but even those audits did not uncover about $4 million in ineligible expenditures in eight projects, according to the DOAA. Under the new law, the Department of Revenue will be required to adopt new audit standards and to maintain a list of independent auditors eligible to complete the work.
In continuing the discussion of diversity and inclusion in the media and necessary systemic changes in the industry, the SAG-AFTRA President’s Task Force on Education, Outreach & Engagement presented Race & Storytelling: Asian American Voices on July 21.
The $1.5 billion esports industry, which is largely populated by white men, has few Black faces. That has begun to change over the past month with the formation of a historically Black college and university (HBCU) league on the horizon.
Originally from Istanbul, Turkey, Mehmet is a director and a cinematographer. He earned an undergraduate degree in Communications Arts and Broadcasting, with a minor in Political Science, from Georgia Southern University.
Lee Thomas, Georgia Trend’s 2019 Georgian of the Year and state Department of Economic Development’s deputy commissioner for film, music and digital entertainment, recently spoke at a meeting of the White Oak Golden K.
While the music industry continues to face unprecedented challenges from the closure of music venues and the reduction in music usage in shops, restaurants and other businesses, there’s a lot to be hopeful about. Music instrument sales have increased.
The Recording Industry Association of America (RIAA) today designated SoundExchange as the authoritative source of International Standard Recording Code (ISRC) data in the United States.
The title for Saturday morning’s service was the nickname the Rev. Martin Luther King Jr. gave Lewis at their first meeting in 1958 in Montgomery.
The Atlanta-based mogul opens up about how he was able to complete the first quarantine TV production in the U.S., the challenges he faced on set and the advice he’d give to others trying to start up again.