Our students experience what it’s like to work in their chosen fields long before they graduate, and that hands-on approach enriches their education and helps improve graduation rates by keeping them engaged and career-focused.
Funds awarded by Georgia Council for the Arts (GCA) include appropriations from the Georgia General Assembly and the National Endowment for the Arts. Grant recipients include theaters, dance companies, museums, schools, cities, colleges, and multi-discipline arts entities.
Warners has also had six movies open to No. 1 more than any other studio this year with nine weekend at No. 1. They’ve also had five movies in a row bow to $45M+, a first for any studio.
Feed Your Senses is sponsored by 100 Peachtree and is supported in part by the Fulton County Board of Commissioners, Georgia Council for the Arts and through appropriations from the Georgia General Assembly (a partner agency of the National Endowment for the Arts) and the City of Atlanta Mayor’s Office of Cultural Affairs.
From the artists premiering their new works to the audiences connecting over a discovery, our stories on and off screen during each Festival are the ones we remember for a lifetime, the ones that shift culture and introduce fresh perspectives.
More than just addiction, Withdrawal is about honesty. It’s about what happens when you no longer have the strength to lie to yourself, or to anyone else.
TIFF is sharing the first five Special Presentation titles of its Official Selection set to have their World Premieres at the Festival’s 50th edition this September. These are: Alejandro Amenábar’s The Captive, Steven Soderbergh’s The Christophers, Sung-hyun Byun’s Good News, Nia DaCosta’s Hedda, and Chandler Levack’s Mile End Kicks.
Over 68 days of filming throughout the Greater Atlanta area, the production generated more than $82.7 million in economic activity. The high-flying film invested in 441 Georgia-based businesses and hired 3,861 cast and crew members, who earned more than $43.6 million in wages.
I think you have to be very emotionally aware to work in production, in the production office specifically. You have to be very emotionally intelligent to navigate a lot of these landscapes and understand people’s dynamics.
These programs support everything from creative practice and collaboration to infrastructure, accessibility, and emergency preparedness. Whether you’re an artist or an arts organization, there’s likely a program designed to support your work and your community.