BROWSING: NEWS
Red Earth will have its world premiere at the 47th Atlanta Film Festival, to be held at the historic Plaza Theater in Atlanta, April 20-30th. The film will screen as part of the feature film program, where it was nominated for the festival’s ‘Best Cinematography’ award and will screen at the Plaza Theatre on Saturday, April 28 at 10:00pm.
Set in a speakeasy in Atlanta, “Twenty” is a feature documentary about fifteen young people making it through 2020. The film is an observational time capsule that lays bare the raw reflections of a group of people surviving a year that will be seared into our generational memory.
Every spring, our 11-day festival presents approximately 150 to 175 local, domestic, and international works selected from over 10,000 submissions (consisting of 7,900+ films and 2,100+ screenplays) representing approximately 40 countries.
Episode 6 of The State of Esports is here! We inch ever so quickly toward summer, but the updates in the collegiate esports space aren’t stopping. This episode…
“Filmhedge is sponsoring the Marche du Film’s International Film Finance Forum as well as a number of other events at Cannes like the Producer Forum, where many films land lucrative distribution and sales deals,” said Gosier. “These events comprise the top echelon of the entertainment industry.”
I recently met with Joel Harber, Athena Studios CEO in Athens after learning they had just received the certification of occupancy for the studio. When I arrived late in the afternoon, there was one vehicle I could spot – Joel was there. It would be a memorable moment for me as he and I were about to walk the property virtually alone, buildings purposed built, massive studio walls towering over us – we were in that “space between” – the space between creation and activity.
Jon Gosier is Co-founder and CEO of FilmHedge. He says trust is the primary problem investors have with putting money into films. FilmHedge was started to help address the trust issue and open up capital for filmmakers.
There’s something to be said in favor of the post-credits scene boom, in that it encourages people to actually watch the credits. Those names scrolling by are real people who did their part in creating the art that we all love, everyone should sit and appreciate them.
“The studios need to really demonstrate a lot more results before we can move forward with any further tax credit,” Ting told Variety in an interview on Wednesday. “We may need to wait a year… California provided the money, but they didn’t provide the jobs to a diverse group of Californians.”
“Citadel will become our biggest relocating TV series so far in terms of qualified spending, while a project like True to the Game affirms that our tax credit program also addresses the needs of smaller-scale yet still very impactful TV projects.”