BROWSING: NEWS
By Cameron McAllister I first encountered Brantly Jackson Watts at the sold out encore screening of her debut feature, “AKA…
By Cameron McAllister To celebrate its 20th anniversary, the SCAD Savannah Film Festival has decided to pull out all the…
Last year, the former BC Liberal government moved to scale back the province’s film tax credit regime, which it said was getting too expensive in the face of the growing number of productions.
Our story continues to be one of great promise, but our footing is fragile, and a sustained, durable recovery is jeopardized by a fundamentally uneven playing field.
Trish Taylor of the Georgia Production Partnership talks about the Camera Ready program in Georgia and how it has been key not only to Atlanta’s success but all of Georgia.
It’s a competitive environment for businesses to recruit and retain employees. Nowhere is that more true than in the entertainment industry. Buzz talks about how they work with employers to offer a planning perk to key employees, providing valuable advice on all types of personal financial issues.
“One thing we do that is different, is that we really consult with each client and ask questions to identify what their real needs are. Our focus encompasses the whole picture. As security experts, our goal is to supply our client with what they actually need, not what they think they need.”
Composed of a mix of Atlanta-based critics working in newspaper, magazine and online journalism, the newly launched Atlanta Film Critics Circle helps to solidify Atlanta’s status as a Top 10 film market with a robust media presence and a booming film production industry.
Local sources claim both locations are sets for the film, “The House with a Clock in its Walls,” starring Cate Blanchett and Jack Black.
Within a year, CSU’s film program has placed 40 students on movie sets across the state.