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Recent commentary, analysis and news:
The first weekend of August has The Fantastic Four: First Steps at $11.7M million on Friday for a $40M second sesh, and $198.4M running cume. That’s a 66% decline in the vicinity of Captain America: Brave New World (-68%), but harder than Thunderbolts* (-56%) which indicates the front-loaded rush to Marvel’s first family.
As the Museum of Contemporary Art of Georgia (MOCA GA) celebrates its 25th anniversary, we look back at the milestones that shaped its legacy—and what’s coming next.
Still, that’s a steep Friday/previews to Saturday decline, which indicates the movie was front-loaded. Nobody was spotting that yesterday, the lowest was a $120M debut.
The historic Tara Atlanta hosts the daily screenings of the BronzeLens 2025 Official Film Selections and all panels from Wednesday, August 20, through Sunday, August 24. For the full list of 2025 BronzeLens Official Selections, visit Official Film Selections | Welcome to the 16th Annual BronzeLens Film Festival.
The Galas and Special Presentations programmes are recognized for celebrating the very best of contemporary cinema across genres and styles, from all corners of the world. This year, TIFF is pleased to invite films from over 30 countries that showcase bold storytelling, global perspectives, and the power of film to connect audiences across cultures.
Warners has also had six movies open to No. 1 more than any other studio this year with nine weekend at No. 1. They’ve also had five movies in a row bow to $45M+, a first for any studio.
From the artists premiering their new works to the audiences connecting over a discovery, our stories on and off screen during each Festival are the ones we remember for a lifetime, the ones that shift culture and introduce fresh perspectives.
Over 68 days of filming throughout the Greater Atlanta area, the production generated more than $82.7 million in economic activity. The high-flying film invested in 441 Georgia-based businesses and hired 3,861 cast and crew members, who earned more than $43.6 million in wages.
I think you have to be very emotionally aware to work in production, in the production office specifically. You have to be very emotionally intelligent to navigate a lot of these landscapes and understand people’s dynamics.
Oliver is also no tiny stranger to a film set. “He’s very familiar with filming and he’s been on-set a lot,” says Young-Silva. But this new, mysterious role especially piqued the Silva family’s interest, because the casting company involved was big-time—Feldstein|Paris, one of the largest casting directors in the Southeast.