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Weekend Box Office Results: ‘Send Help’ $20M Ahead Of ‘Iron Lung’

Here’s the skinny on a very unconventional weekend that included a right-wing documentary from a former tentpole Hollywood filmmaker (Amazon MGM Studios’ Brett Ratner-directed Melania in third with $7M) and an indie film from a YouTuber (Markiplier’s Iron Lung with $17.8M in No. 2), which will hopefully herald in a revolutionary era for social media influencers on the big screen.

2026 Sundance Film Festival Announces Award Winners

The ceremony was attended by the jury and artists receiving honors, in advance of the final day of the Festival on February 1. The 2026 Festival has featured premieres, screenings, talks, events, and more in Park City and Salt Lake City, Utah, including programming that honored Robert Redford and his vision that has inspired generations of artists and redefined cinema around the world.

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AJFF announces 2026 festival dates, films and guest appearances

As the flagship program of ATL Jewish Film, the 2026 Atlanta Jewish Film Festival presents 49 feature films and 16 short films from 20 countries, including newly announced distinctions such as the North American Premiere of Stay Forte and the Oscar-nominated short film The Butterfly.

WATCH: Dan Cathy talks plans for Trilith in 2026

As the driving force behind Trilith’s development, Cathy shares his vision for 2026 as the year when all the pieces come together, from new hotels and restaurants to the grand opening of Trilith LIVE, positioning the community as a major player in Georgia’s booming entertainment economy.

INDIE SPOTLIGHT: Aaron Strand’s micro-budget ‘Withdrawal’ proves Georgia can compete on festival circuit

Writer, director, and producer Aaron Strand sat down with Georgia Entertainment to discuss his micro-budget feature “Withdrawal,” a raw examination of addiction and codependency that follows a singer-songwriter and her rebellious boyfriend as they attempt to quit heroin cold turkey to avoid rehab. Shot entirely in Athens with a Georgia-based cast and crew, the film premiered to a sold-out crowd at the Atlanta Film Festival.

Commentary from Mitchell Olson on the Wall Street Journal’s mischaracterization of Georgia’s film industry

For nearly two hours, I talked. I bragged about Georgia’s state-of-the-art facilities. I touted its investment in training a skilled labor force—some of the best crews in the world. I celebrated the collaboration across the Department of Education and the University System of Georgia to develop curriculum pipelines from middle school through graduate programs that nurture the next generation of storytellers.

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