The suspense as to who won one of the year’s lowest-grossing weekends has ended, and it was Universal/Blumhouse’s Black Phone 2 all along coming in with $8.3 million, off 35% from the frame before, after a Sunday of $2.36M, down 33% from Saturday.
The Global South Film Festival (GSF2) has opened submissions for its Youth Short Film Invitational, offering high school students across South Fulton and the greater Atlanta area a chance to showcase their creativity on the big screen. The competition will be held as part of the festival on December 4th & 5th, 2025, at the Southwest Arts Center.
After film production dried up in Georgia, Dan Cathy wants to fill his empty soundstages with a new generation of digital creators.
Co-hosted by Georgia StoryLab, this hands-on workshop will teach participants how to create a complete short film using cutting-edge generative AI tools, from initial concept to final production.
Featuring Meta Take One, winner of Atlanta Film Festival’s Viewer’s Choice Award; the U.S. Premiere of Kidnapping Inc.; The Eternal Song, voted Best Documentary at six International film festivals; and the World Premieres of five films by South Fulton high school students.
Brandweek, Adweek’s flagship event for the world’s top marketers and creative minds has chosen Atlanta for a special live session on November 4 at Georgia-Pacific’s global headquarters, hosted in partnership with the American Marketing Association (AMA) Atlanta Chapter.
The 28th annual SCAD Savannah Film Festival kicked off Saturday with a dynamic day of screenings, Q&As, and red-carpet celebrations honoring cinematic excellence.
Georgia Entertainment takes a sneak peak of Trilith Institute’s latest Emerging Creativity Residency for Writers and Directors program and provides behind the scenes images of the filming of “Cobb County Country Club” — the program’s first television pilot.
Set in the Deep South, the film follows Coach Walt McFadden, played by Michael Mosley (Ozark), a talented but idealistic assistant coach at Louisiana University who’s out of second chances. After failing to land a top recruit the previous year, Walt is given one last shot at redemption: signing the nation’s number one defensive end, Tony Raymond — or losing his job.
More than a festival, AAFF is a launchpad—connecting independent filmmakers with real investors, co-production partners, and distributors ready to acquire new projects. The market offers a rare chance for creators to turn passion into profit by pitching directly to industry financiers and production companies.