Georgia was one of the first to reopen. And so we saw some of the traffic that was slated to go to other states end up in Georgia. We also saw a pent-up demand, y’know, of all of the streaming services trying to keep up with the demand of the viewership. And we also saw they were all kind of beefing up their slates.
Dakin began her film industry career in 2018, and this year she worked as travel coordinator on eight episodes of series “The Bondsman” with Kevin Bacon [Amazon Prime Video, 2025]. We caught up with her to learn exactly what her role entails and why she’s drawn to such a demanding, everchanging industry.
Each month we bring you a list of ongoing productions in Georgia. This information is provided by Georgia.org and reproduced by Georgia Entertainment to bring you the latest, verified, productions. Learn more at Georgia.org.
The Savannah College of Art and Design (SCAD) is proud to announce the return of SCAD AnimationFest to Atlanta Sept. 25-27, 2025. The highly anticipated three-day festival will be held at the university’s state-of-the-art SCADshow theater and will honor Dan Povenmire and Jeff “Swampy” Marsh, the co-creators of Disney’s award-winning, global hit series Phineas and Ferb, and Maggie Kang and Chris Appelhans, directors of the Netflix global phenomenon KPop Demon Hunters.
From Georgia to across the globe, the 5th Annual Atlanta Women’s Film Festival has announced the films that will headline and its industry experts panel for its 2025 celebration of women in cinema this fall.
As a fiscal sponsor, Trilith Institute offers a way for filmmakers to maximize the funds they raise under our nonprofit umbrella, while maintaining full creative and editorial control of their projects. We’re using the industry-standard “Pre-Approved Grant Relationship” model, which is ideal for film and media projects.
Trilith LIVE announced today two major partnerships that will define the future of live events at Trilith LIVE. Ticketmaster, the global leader in ticketing, will deliver advanced digital ticketing solutions, enhance the fan experience, and expand venue marketing opportunities.
The event will bring together the film’s cast, producers, and filmmakers with the local community for an evening celebrating restaurant culture, humor, and philanthropy.
I think the most important thing is to understand that our business is really driven by great content and people’s desire to watch great content. Even though we’ve gone through tough times with strikes [and other industry changes], in the end, people never abandon wanting to see great content on TV. As long as that exists, the industry will be here.
As of right now, 2025 remains ahead of the 2024 box office by +4%, with a running cume for Jan. 1-Aug. 30 of $5.99 billion, however, watch September put us behind sans a Beetlejuice, Beetlejuice.