Tatiana has worked in various roles, mainly as a Commercial Production Coordinator and Assistant Production Supervisor. Her key responsibilities involve coordinating and managing resources for both studio and on-location video shoots.
Beginning Thursday evening at the Turner Arts Center, the 2025 South Georgia Film Festival will hold its free preview night will full trailers and screening of a locally produced documentary. This year, Dr. Willie Housel and director Mark George will present their documentary “Pinevale High: Separate, Unequal, … Undeterred” and then talk with Professor Jason Brown before taking questions from the community.
The Entertainment Tourism Alliance of Georgia (ETAG) held its first Entertainment Tourism Day at the Georgia State Capitol on Friday, Feb. 28, bringing together diverse industries to highlight the impact of entertainment tourism.
Twenty-three Academy Award-nominated films, and 7 out of the 10 best picture nominees were screened or featured at the 2024 SCAD Savannah Film Festival. In addition, 26 of the film festival’s honorees, panelists, and guests subsequently received Oscar nominations.
Each month we bring you a list of ongoing productions in Georgia. This information is provided by Georgia.org and reproduced by Georgia Entertainment to bring you the latest, verified, productions.
In the fourth quarter of 2024, the company saw strong overall growth with a 21% increase in total revenue, driven largely by a rise in political advertising. While core advertising and retransmission consent revenues were down slightly, the boost in political ad revenue helped turn a previous net loss into a profit.
Jonathan Harb, founder of Whiskytree a leading visual effects company, highlights the benefits of Georgia’s incentive program and advocates for a stand-alone post-production incentive to further strengthen the industry.
Georgia Film Day is now part of Georgia Film Week: from March 17 – 21, events will focus on successful aspects of the state’s entertainment industry.
2025 has clicked past $1.08 billion (in fact it did last weekend), +11% over the same Jan. 1-March 2 frame a year ago, but this weekend is now coming in at $53.3M per Comscore, which would make it the lowest frame of the year to date, under Super Bowl
Adapting true crime stories into compelling limited series can capture massive audiences, particularly when the fiction stays rooted in reality. But when a show profits from someone’s real-life story, do the creators have an obligation to give back to the individuals and communities behind those narratives?