In this behind-the-scenes look from the Georgia Film Office, the Blue Beetle team discusses their first-time experience working in Atlanta and the incredible Georgia film crew.
Former NFL star Champ Bailey, now executive producer of “Signing Tony Raymond,” reflects on how football shaped his approach to teamwork and process.
Screenwriter La Monte Edwards has completed the screenplay for The Ambulance Chaser, the feature adaptation of Brian Cuban’s acclaimed legal thriller that is being developed by award-winning producer Autumn Bailey-Ford. The collaboration marks a fusion of authenticity, cultural depth, and character-driven storytelling.
The Spruill Center for the Arts announced on Feb. 9 its plans to open Spruill Studios, a new studio facility in the former Chamblee City Hall, focused on providing affordable creative space for artists in metro Atlanta.
The media merger leading into 2026 is a development that excites and inspires international entertainment executive Michael Fisk, and it’s one he’s actively developing as he stirs up a communal concoction of sports, cinema and live entertainment with all of it instantaneously available right in front of you on the big screen.
The Opening Reception kicks off the film festival on Friday, February 27th, from 6 p.m. – 9 p.m. at the Emma Darnell Aviation Museum and Conference Center.
Students at several Gwinnett-area schools are getting the opportunity to acquire hands-on experience in every aspect of content creation as Illinois-based Fresh Films has returned to metro Atlanta with its “Lights, Camera, Future” program.
What can be as bad as a 2,000-mile snowstorm that shutters theaters? Why, Super Bowl weekend. And while it’s not the lowest weekend of the year, it came close.
John Hall and Don Mandrik of Hall Booth Smith introduce their firm’s expanding role in Georgia’s entertainment industry. With deep roots in Georgia and a national and international reach, the firm represents a wide range of clients across film, television, music, production, and financing.
By the time Walker reached his 20th year in the entertainment business in Los Angeles, he realized something: “I produced for a lot of other people, and I didn’t see myself having the brand that I wanted anymore.”