The global animation market is a behemoth, generating over $370 billion in 2023 and is projected to reach $580 billion by 2032, with North America leading in global content production and distribution. The rise of streaming services and increased demand for content have made animation more popular than ever.
The who’s who of film and entertainment professionals came out to honor individuals and an institution that has kept Georgia in the spotlight for almost two decades. The Atlanta Film Society’s IMAGE Film Awards presented by Georgia Entertainment in partnership with Assembly Atlanta and Universal Production Services was held last night at the Jewel Box.
With a $162.1M global opening, Thunderbolts* is just $3M shy of where we forecasted. The movie cost before P&A, $180M. Thunderbolts start isn’t anything to worry about knowing that Memorial Day is teed up for a possible record-breaking 4-day weekend with Disney’s Lilo & Stitch.
Morehouse College faculty Stephane Dunn discusses “Sinners” in this opinion piece for MSNBC. Includes links to interviews and in-depth discussions on the topic.
Eagle Rock Studios’ Michael Clark sits down with Funwoody for a Q&A and discusses the studio’s experience and his optimism for the future of film in Georgia.
WABE’s Marlon Hyde spoke to Randy Davidson, founder and CEO of Georgia Entertainment about the current state of the film industry in Georgia.
Each month we bring you a list of ongoing productions in Georgia. This information is provided by Georgia.org and reproduced by Georgia Entertainment to bring you the latest, verified, productions.
Continuing traditions born in the heart of historic Rome, Ga., the 22nd Rome International Film Festival (RIFF) is set for Nov. 6 – 9, 2025 and will again feature a curated lineup of film premieres, celebrity appearances and thought-provoking discussions.
On Sunday, April 27, Lionsgate proudly presented a marquee, sold-out screening of Shadow Force at the 49th annual Atlanta Film Festival, led by Emmy Award winner, star, and producer Kerry Washington.
Returning for a second consecutive year, the Immersive Competition was introduced in 2024 to celebrate new forms of storytelling through spatial and sensory experiences. By freeing themselves from the screen and traditional cinematic language, immersive works invite viewers to enter into the narrative, and often interact with it.