The initiative has been conceived to support both new and emerging talent, art house productions and those with limited funding. The packages have been created specifically to help producers overcome challenges unique to independents.
In this role, Moore will lead the MPA’s advocacy strategy throughout the region to advance the film, television, and streaming industry’s key priorities. Her work will include representing the MPA before state legislatures, regulatory agencies, and executive branch officials.
The Savannah College of Art and Design stands out for its commitment to merging education with real-world production. With the expansion of SCAD Savannah Film Studios, now the largest and most comprehensive university film and television complex in the nation, the state strengthens its position as a global hub for storytelling.
Each month we bring you a list of ongoing productions in Georgia. This information is provided by Georgia.org and reproduced by Georgia Entertainment to bring you the latest, verified productions.
Shadowbox Studios is targeting independent film and TV productions with an initiative to make it easier for independent producers to access its UK and US facilities at Shinfield and Atlanta, respectively.
Industry event July 14 will spotlight Savannah’s growth as a production hub on Georgia’s Coast.
This September, Toronto becomes the center of the global entertainment business. The 51st Toronto International Film Festival marks the launch of TIFF: The Market, a new global content exchange backed by a $23 million investment from the Canadian government, featuring an Innovation Hub, an IP Exchange and thousands of delegates from every corner of the industry.
In a new millennium, when archaeologists excavate the region in North America that’s now Athens, Georgia, U.S., they’ll find bulldogs. Fans. Figurines. Footballs. Flasks.
Bartow County has emerged as a destination for film production and creative economy growth in Georgia. The Film Bartow brand signals the region’s deliberate push into film, gaming, entertainment, technology and innovation.
Boots Riley’s “I Love Boosters” never screened at the Cannes Film Festival, but the film’s marketing campaign drew repeated attention during an official financing forum there earlier this year, cited as a potential model for where independent film promotion may need to go.