Since Georgia instituted its film tax credit in 2005 and expanded it in 2008, the state has emerged as the top film and TV production hub in the U.S. outside California and New York.
This trip was not simply a delegation—it was a declaration. Our group is committed to supporting, co-creating, and building with the extraordinary people we met. This journey has only just begun, and we hope it leads to a formal co-production agreement between Georgia and Israel.
The discussion explores the importance of funding local projects, retaining homegrown talent, and leveraging Georgia’s powerful creative incentives.
Trilith Institute, the nonprofit dedicated to developing Georgia’s next generation of storytellers, has opened enrollment for its Fall 2025 Professional Education (Pro Ed) courses beginning August 11.
Sony/Marvel’s Spider-Man: Far From Home throws a monkey wrench into the record books with a Tuesday launch, and 6-day of $185M (Wednesday through Sunday of $145.8M). With a big $39.3M Tuesday backed out of Spidey, the Dinos are higher over the Wednesday through Sunday frame.
Mila Harris has appeared in nearly a dozen feature films, alongside screen greats such as Dennis Haysbert and Colin Ford. And there’s more to come for the young performer. Harris’s next release is the sci-fi film World Breaker.
Unlike a traditional film school—such as UCLA’s film program and others—GFA is a statewide training program that helps prepare people for jobs in Georgia’s growing film and entertainment industry. It works with more than 30 colleges and universities across Georgia, including public universities, technical colleges and private schools, providing expert instructors and a shared curriculum.
Unlike most talking head interviews, Stern is not off camera, but sitting on a couch with Matlin. Stern, who is also deaf, speaks with Matlin in American Sign Language. This means that long stretches of the film play in complete silence, giving hearing audiences a peek into the experience of someone with different capabilities.
In the spirit of plot-twisting classics like “Fight Club” and “The Game,” “Life of Mike” is a layered, 90-minute, edge-of-your-seat stunner with nuanced acting and Halliman’s dynamic script and lens.
It’s Not Like That follows Lori (Hayes), who is freshly divorced with two teens. Malcolm’s (Foley) a minister and recently widowed dad of three. Their families once did everything together, but now Lori and Malcolm must navigate their newly minted singledom, parenthood and the complexities of Malcolm being a modern-day minister.