Dunwoody is tapping into its global sensibilities to gear up for the 2026 World Cup, aiming to draw in a whole new crowd and getting creative with how they do it.
In a video interview with Georgia Entertainment’s Jezlan Moyet for Discover Dunwoody last year, Winn said the state’s evolution as a production hub has given independent filmmakers the kind of support that once existed only in New York or Los Angeles.
It was at CSU that Dvn Dsn discovered his love for filmmaking after joining the Film Club and participating in 48-hour film festivals with a group of friends. This led to the creation of “Multicent Productions,” a production company founded by Dvn Dsn and his friends to present their film festival submissions.
Dr. Gregory Ramshaw, a professor in the Department of Parks, Recreation, Tourism and Management at Clemson University, shares his thoughts on the powerful connection between sport, culture and community as Atlanta prepares to host the FIFA Men’s World Cup.
Standing in his offices overlooking downtown Atlanta, Brian McGowan points toward a massive construction site that stretches across 50 acres of prime real estate in the heart of Georgia’s capital city.
“Clean Hands,” a feature film inspired by the true story behind Brooke’s House and the recovery work of former narcotics sergeant Kevin Simmers, will make its world premiere at the Tribeca Festival on Sunday, June 7, 2026, in New York City.
Georgia Entertainment sat down with 2026 Southeast Emmy winners to learn more about their award-winning content and their journeys to getting it on-screen and into the running.
From a sharp, instinctive ear in her formative years to where Honnie Korngold is now, CEO and founder of CineVantage Productions in Athens, Georgia, founder of Georgia StoryLab, and co-founder of PhilanthroFilms, her work has pointed toward one conviction: that music and sound are not background to a story but part of how the story is told.
Different city, different festival, same themes. Innovation, funding, technology and intellectual property. These are the topics we watched dominate Cannes, Sundance and SXSW earlier this year. It all comes back to storytelling and who controls it.
The worlds of live sports and media entertainment are fused so tightly that it’s difficult to distinguish a crack in the curtain. And now, in a convergence some audiences didn’t see coming, live musical theater has shot onto our screens like a pole vault or a pirouette.