BROWSING: NEWS
Veteran location scout Jack Holloway shares how he went from offering free help on indie sets to landing blockbuster projects like Black Panther: Wakanda Forever and Tulsa King.
Gray Media, Inc. today announced its financial results for the quarter ended March 31, 2025, which included total revenues above the high end of our guidance for the quarter.
Encouraged by Georgia’s booming production industry, Perkins returned to Athens to help build a local ecosystem that could operate independently, beyond serving as a backdrop for outside productions. He envisioned a creative infrastructure where Georgia voices developed stories for global audiences.
One of the plan’s masterminds is Special Ambassador to Hollywood Jon Voight; the Oscar-winning actor shares the title with Sylvester Stallone and Mel Gibson. Alongside several other special advisors, Voight’s plan, called “Make Hollywood Great Again,” was presented to the President shortly before his May 4 social post.
Creative clusters are a way of thinking about the network of artists and services that make up a creative community as a complete unit to create a blueprint for economic development.
Whiskytree’s CG supervisor J.P. Monroy reveals the studio’s process for generating realistic battle scars on fighter planes.
Through partnerships with Comcast, Chick-fil-A, YMCA of Metro Atlanta, and WABE, the Institute is broadening its mission to inspire and equip the next generation of storytellers.
Today, the JTF event is broadcast live globally – far exceeding the 8,000+ theatre students, their families, and teachers who come from all around the world to the Cobb Galleria each year. By springtime 2025, the wintertime 2026 festival had already sold out with some 10,000 attendees.
IATSE continues to pursue all policy measures that can be implemented to return and maintain U.S. film and television jobs, while not disadvantaging our Canadian members. Federal policymakers must act to level the playing field and make the U.S. film and television industry more competitive on the global stage.
The global animation market is a behemoth, generating over $370 billion in 2023 and is projected to reach $580 billion by 2032, with North America leading in global content production and distribution. The rise of streaming services and increased demand for content have made animation more popular than ever.